The Situation And The Story The Art Of Personal Narrative Pdf
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- THE SITUATION AND THE STORY: The Art of Personal Narrative
- Creative writing exercises for 8th grade
- BOOKS IN BRIEF: NONFICTION
Medical Teacher articles online now. Reflective capacity is an essential characteristic of professionally competent clinical practice. Use of interactive reflective writing IRW , ie. IRW-enhanced reflection on experience contributes to meaning-making, leading to transformative learning within professional identity formation. We include some post-IRW exercise student and educator reflections on the experience and impact of such sharing within an educational context.
THE SITUATION AND THE STORY: The Art of Personal Narrative
Perhaps the most potent antidote to this increasingly disempowering cultural shift is to grow ever more thoughtful and deliberate about how we tell our own stories; to master the art of personal narrative so that we can write — writing being that most lucid mode of thinking and an indispensable form of talking to ourselves — about the expansive, dimensional, textured reality of who we are. Every work of literature has both a situation and a story. The situation is the context or circumstance, sometimes the plot; the story is the emotional experience that preoccupies the writer: the insight, the wisdom, the thing one has come to say. She begins by illustrating the power of personal narrative with, befittingly, a personal narrative:. A pioneering doctor died and a large number of people spoke at her memorial service. Repeatedly it was said by colleagues, patients, activists in health care reform that the doctor had been tough, humane, brilliant; stimulating and dominant; a stern teacher, a dynamite researcher, an astonishing listener.
Biography And [End Page ] like Strunk's Elements, The Situation and the Story has a wry, sneak-up-on-you kind of style, rewarding the seasoned aficionado as well as the novice with keen observations on the craft of non-fiction narrative. Part of how Gornick avoids didacticism is through the methodology she chooses. Herself a master storyteller, Gornick keeps the reader not just informed, but counts on the reader as an informant. The book is laced with examples that readers are invited to interpret and learn from along with Gornick.
Creative writing exercises for 8th grade
With her essays regularly appearing in high-profile periodicals, anthologies and partisan-attracting books like Fierce Attachments and The End of the Novel of Love , Gornick is one of a handful of nonfiction prose stylists whose work is instantly recognizable to the literati and crititocracy. Based on many years' teaching in a variety of creative writing programs, Gornick's book discusses ways of making nonfiction writing highly personal without being pathetically self-absorbed. Part of the virtue of this book is Gornick's wide-ranging reading, which comprises less-than-household names like Jean Amery, a Belgium-based Holocaust survivor, and the noted Italian author Natalia Ginzburg. By excerpting and condensing freely, she presents chosen texts in speedily absorbed format, which is useful for the primer-style approach here, even if some of the original authors might object to being Readers Digested in this manner. All the texts do nevertheless support her statement that essays can "be read the way poems and novels are read, inside the same kind of context, the one that enlarges the relationship between life and literature.
A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of Love All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth. How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks--and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras. This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid intelligence that has made Gornick one of our most admired writers of nonfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.
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BOOKS IN BRIEF: NONFICTION
Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover.
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