William Blake The Clod And The Pebble Pdf
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- The Clod and the Pebble
- The Clod and the Pebble
- A Short Analysis of William Blake’s ‘The Clod and the Pebble’
- The Clod and the Pebble by William Blake
The Clod and the Pebble
Love seeketh not Itself to please, Nor for itself hath any care; But for another gives its ease, And builds a Heaven in Hells despair. It shows two contrary types of love. The poem is written in three stanzas. The soft view of love is represented by this soft clod of clay, and represents the innocent state of the soul, and a childlike view of the world. It gives the location of the clod, pleasantly singing his view while being trodden on by a cattle.
These two items represent two types of people whose opinions on love distinctly contrast with one another. While objects are expressed to have these beliefs, they represent humans who share similar mentalities. Possibly the most interesting thing to note about this poem, though, is that Blake never offers a declaration of which belief is valid in his eyes, leaving the poem as a general commentary that more than one idea of love exists rather than a definite statement about how love should be. In essence, a person who loves in this manner builds as good and comfortable of a life as is possible for their love. The language choice in this stanza reflects that tenderness as well in the letters used in the words because so many of those letters are vowels or soft-sounding consonants. Most of these words begin and end with letter sounds that lack the cutting edge of stronger consonants, so this gentle approach is clear even down to the letters that build the lines. From that frame of mind, to Blake, those inexperienced in love would hold this belief, but the next line of the stanza provides further clarity to override this notion.
The Clod and the Pebble
This poem was written by the English poet William Blake. Blake was a poet, painter and a printmaker. Blake is highly regarded today for his expressiveness and creativity, and the philosophical vision that underlies his work. The poem was published as a part of his collection Songs of Experience in His spiritual beliefs are evidenced of here, in which he shows his own distinction between the Old Testament and the New Testament. Poems are darker, concentrating on more political and serious themes. Blake also believed that children lost their innocence through exploitation and from a religious community, which put dogma before mercy.
Succeeding the Songs of Innocence, Blake explores the themes of love and the human spirit through the personification of a clod of clay and a pebble in a brook. Blake confers completely contrary convictions to the clod and the pebble which compliment the diametrically opposed views on the nature of love expressed in the poem. The tone of the first half speaks of a happiness and innocence that may exist regardless of external circumstances. The predominant figures are the personifications of the clod and the pebble which are represented as possessing and expressing human emotions. The clod has been moulded and shaped by its conditions and in spite of the negative experiences of being downtrodden, the clod emerges as enlightened and believing in a more perfect and selfless love.
The Clod and the Pebble "Love seeketh not itself to please,. Nor for itself hath any care,. But for another gives its ease,. And builds a Heaven in Hell's despair.".
A Short Analysis of William Blake’s ‘The Clod and the Pebble’
The poem stages a conversation between a clod of clay and a pebble to make a point about the nature of love. Love seeketh not Itself to please. Nor for itself hath any care: But for another gives its ease.
The Clod and the Pebble by William Blake
The love that has been bound by Reason, and which must be renewed in order to free Earth from her chains, is thus examined to ask if men love selflessly or selfishly. The pebble has been hardened by its time in the brook and therefore offers resistance to any who would seek to use it for their own ends. By contrast, the clod is somewhat mobile, whereas the pebble must remain at rest in its place on the bottom of the brook. Blake uses his ironic voice of experience to point out that love, if done according to the edicts of Reason, creates a Hell on earth, whereas selfless love—love from the heart and the ever-adapting Imagination—can make a Heaven out of the Hell surrounding mankind. Nonetheless, the poem does not allow the reader to side completely with the Clod and its view of love.
Он застонал. - Джабба. Скорее вылезай. Он неохотно выполз из-под компьютера.
William Blake (1757 - 1827)
Беккер не удостоил его ответом. - На самом деле я его не продала, - сказала Росио. - Хотела это сделать, но она совсем еще ребенок, да и денег у нее не. Вот я его и отдала. Но если бы знала, сколько вы мне за него предложите, то сохранила бы это кольцо для .
Он целый год хвастался, что разрабатывает алгоритм, непробиваемый для грубой силы. - Н-но… - Сьюзан запнулась, но тут же продолжила: - Я была уверена, что он блефует. Он действительно это сделал.
Арест и депортация Танкадо, широко освещавшиеся средствами массовой информации, стали печальным и позорным событием. Вопреки желанию Стратмора специалисты по заделыванию прорех такого рода, опасаясь, что Танкадо попытается убедить людей в существовании ТРАНСТЕКСТА, начали распускать порочащие его слухи. Энсей Танкадо стал изгоем мирового компьютерного сообщества: никто не верил калеке, обвиняемому в шпионаже, особенно когда он пытался доказать свою правоту, рассказывая о какой-то фантастической дешифровальной машине АНБ.
Я хочу его забрать. - У м-меня его. Беккер покровительственно улыбнулся и перевел взгляд на дверь в ванную.