jerome stolnitz aesthetics and philosophy of art criticism pdf

Jerome Stolnitz Aesthetics And Philosophy Of Art Criticism Pdf

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The Aesthetic Attitude

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Intentionality and the Aesthetic Attitude

The term especially refers to a greatness beyond all possibility of calculation, measurement, or imitation. This is thought to have been written in the 1st century AD though its origin and authorship are uncertain. For Longinus, the sublime is an adjective that describes great, elevated, or lofty thought or language, particularly in the context of rhetoric. As such, the sublime inspires awe and veneration, with greater persuasive powers. Longinus' treatise is also notable for referring not only to Greek authors such as Homer , but also to biblical sources such as Genesis. Later the treatise was translated into English by John Pultney in , Leonard Welsted in , and William Smith in whose translation had its fifth edition in The development of the concept of the sublime as an aesthetic quality in nature distinct from beauty was first brought into prominence in the 18th century in the writings of Anthony Ashley-Cooper, third earl of Shaftesbury , and John Dennis , in expressing an appreciation of the fearful and irregular forms of external nature, and Joseph Addison 's synthesis of concepts of the sublime in his The Spectator , and later the Pleasures of the Imagination.

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Aesthetics and Philosophy of Art Criticismby Jerome Stolnitz

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Aesthetics and Philosophy of Art Criticism: a critical introduction.

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5 comments

Franundiwe

Aesthetics is the subject matter concerning, as a paradigm, fine art, but also the special, art-like status sometimes given to applied arts like architecture or industrial design or to objects in nature.

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Therstoppcrypsi1978

Aesthetics and Philosophy of Art Criticism. Jerome Stolnitz. Manuel Bilsky. Manuel Bilsky. Search for more articles by this author · PDF · Add to favorites.

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